威尼斯人赌场
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2016年展览
当代日本版画家
Sept. 23, 2016 – Dec. 18, 2016
Surveying contemporary Japanese printmakers working in a wide range of techniques, including color woodblocks, etchings, mezzotints, lithographs, and screenprints, HANGA现在 highlights the artists’ diversity, creativity, and sensitivity to materials. These contemporary artists are successors to Japan’s early 20th century 年代ōsaku hanga (creative print) movement. Inspired by the Western approach to original prints in which the artist executes every stage – from design of the image and preparation and inking of the matrix to final printing on paper in a limited edition – this movement diverged from the traditional process of creating 世绘 prints and 20th-century shin-hanga (new print) works, which involved collaboration among separate designers, block carvers, printers, and publishers.
本次展览的版画从抽象到具象，但都体现了日本艺术各个时期对材料和精湛工艺的敬畏。 许多艺术家——甚至是那些采用抽象风格的艺术家——都把自然和四季等日本传统主题处理得很好。 Although the primary focus of HANGA现在 is on prints executed in the last 25 years (1990 – 2015), it also includes works by the generation of artists who studied with or were influenced by the first masters of 年代ōsaku hanga. Major artists in the exhibition include TAMEKANE Yoshikatsu, IWAMI Reika, SHINODA Toko, IMAMURA Yoshio, NAKAZAWA Shin’ichi, and HAMANISHI Katsunori.
In conjunction with HANGA现在, artist TAMEKANE Yoshikatsu will visit from Japan on Saturday, Sept. 24, 2016 to demonstrate printing techniques, including shading with water-based inks (bokashi), application of metallic leaf, and embossing, all of which he uses in his own work. 这一论证得到了浅野Emi的部分支持。 圣约瑟夫大学艺术博物馆还将于2016年10月16日下午1-3点举办家庭日活动，为儿童和成人举办与展览相关的活动，以及两次画廊讲座——一次在10月6日，另一次在12月1日下午5:30。
HANGA现在 is supported in part by The Edward C. and Ann T. Roberts Foundation, the IFPDA Foundation, the Karen L. Chase ’97 Fund, and Toshiko Uchino.
继续对话2：美洲和欧洲的交叉点
April 1, 2016 – June 5, 2016
本次展览延续了我们对拉丁美洲艺术长达一年的讨论，并进一步探讨了美洲和欧洲之间的视觉对话，以及它如何促成现代主义的创新和实验性质。 This exhibition will feature recent acquisitions by Antonio Martorell and José Mijares from the Museum’s 2015 Purchase Party. 继续对话 还将展出恩里克查古屋的特别感兴趣的手抄本，以纪念他访问校园呈现2016年文森萨乌切罗美术讲座（4月20日）。
金钱很重要：托马斯·纳斯特谈经济
April 1, 2016 – June 5, 2016
This exhibition features wood engravings by renowned artist Thomas Nast drawn from the museum’s permanent collection. 纳斯特被称为美国政治漫画的教父，他对19世纪一些最重要的问题施加了影响。 Numerous economic challenges faced the U.S. in the 1870s and 1880s, among them a Wall Street collapse, a long depression, labor disputes, and conflict over paper money and inflation – and Thomas Nast addressed them all in the pages of Harper’s Weekly. This exhibition, which celebrates the inauguration of President Rhona Free, Ph.D. in economics, examines Nast’s trenchant commentary on the economic controversies of his day.
继续对话1：美洲和欧洲的交汇点
Jan. 15, 2016 – March 20, 2016
本次展览延续了我们对拉丁美洲艺术长达一年的讨论，并进一步探讨了美洲和欧洲之间的视觉对话，以及它如何促成现代主义的创新和实验性质。 Drawn from the Museum’s permanent collection, this exhibition focuses primarily on Mexican artists including, Carlos Mérida, Andrea Gomez, and Jose Orozco in conversation with Elizabeth Catlett, Jacob Lawrence, and Robert Motherwell among others.
小脸：小型肖像
2016年1月15日- 2006年3月20日
这次展览展出了美国和欧洲的小型绘画和版画。 Of particular interest are early 20th century miniature portraits by Elsie Dodge Pattee, which are on long-term loan to the Museum from the artist’s family. Drawn from the Museum’s permanent collection the exhibition also includes work by Rembrandt, Mary Cassatt, James Whistler, and others.
本次展览延续了我们对拉丁美洲艺术长达一年的讨论，并进一步探讨了美洲和欧洲之间的视觉对话，以及它如何促成现代主义的创新和实验性质。 This exhibition will feature recent acquisitions by Antonio Martorell and José Mijares from the Museum’s 2015 Purchase Party. 继续对话 还将展出恩里克查古屋的特别感兴趣的手抄本，以纪念他访问校园呈现2016年文森萨乌切罗美术讲座（4月20日）。